Quality making with Jakes Bejoy's terrific BGM.. But, Predictable storyline and lack emotional connect make it average.
Technical side is great Performance is good Strictly AVERAGE for neutral audience
this tapestry, every film strives to stand out, to be the crowning glory of its creators.
Abhilash Joshiy's "King of Kotha," featuring Dulquer Salmaan in the lead role, is one such attempt.
It aspires to be a defining moment in Dulquer's cinematic journey but falls short of the mark.
In the realm of gangster films, 'King of Kotha' introduces us to Kotha Raju, played by Dulquer Salmaan.
Unlike the stereotypical gangster motivated by personal principles, Raju's aversion to drug trafficking is driven by his girlfriend Tara's stance against drugs.
This fresh perspective sets the stage for an intriguing narrative.
The driving force of the film lies in the evolving relationships and rivalry between close friends turned foes.
Dulquer Salmaan's Raju and Shabeer Kallarakkal's Kannan take center stage. Their conflict, rooted in the question of whether the gang should deal in drugs, adds depth to the storyline.
The film cleverly utilizes multiple perspectives to narrate Kotha's story. Police officer Shahul Hassan, played by Prasanna Kumar, offers a present-day view, while the past is unveiled through recollections.
Despite its shortcomings in writing, 'King of Kotha' excels in its technical department. The frenetic visuals of violent clashes and football games, coupled with Jakes Bejoy's impactful background score, create a compelling atmosphere.
The script does shine through at times, especially in the portrayal of Raju and Kannan's past, which influences their present dynamics.
The delicate touches in their interactions add a layer of complexity to the characters, offering a glimpse into the human side of gangsters.
Nyla Usha's portrayal of Manju, the gangster's wife, stands out with shades of her character from 'Porinju Mariam Jose.
Shabeer Kallarakkal delivers yet another impactful performance, almost stealing the spotlight from Dulquer Salmaan.
Director Abhilash Joshiy, with the right support in the writing department, could have delivered something grander.
'King of Kotha' appears to rely heavily on its visual appeal, hoping it would compensate for the script's shortcomings.